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Obsessions (Marina and the Diamonds song) : ウィキペディア英語版
The Family Jewels (Marina and the Diamonds album)

''The Family Jewels'' is the debut studio album by Welsh singer Marina Diamandis, professionally known as Marina and the Diamonds. It was released on 15 February 2010 by 679 Recordings and Atlantic Records. Diamandis collaborated with producers including Pascal Gabriel, Liam Howe, Greg Kurstin, Richard "Biff" Stannard, and Starsmith during its recording. Their efforts resulted in a primarily indie pop and new wave record, with lyrical themes that Diamandis identifies as "the seduction of commercialism, modern social values, family and female sexuality."
Contemporary music critics spoke favourably of ''The Family Jewels'', and welcomed its diverse production. The record debuted at number five on the UK Albums Chart with first-week sales of 27,618 copies. The album was eventually certified gold by the British Phonographic Industry and has sold 195,358 units in the United Kingdom. ''The Family Jewels'' performed moderately on international record charts; it peaked at number 138 on the ''Billboard'' 200 in the United States.
''The Family Jewels'' was supported by five singles, all of which were supplemented by accompanying music videos. "Mowgli's Road" was released as the lead single from the record on 13 November 2009, although "Hollywood" became its first charting track after reaching number 12 on the UK Singles Chart. Follow-up singles "I Am Not a Robot", "Oh No!", and "Shampain" respectively peaked at numbers 26, 38, and 141 in the United Kingdom. The record was additionally promoted by Diamandis' headlining The Family Jewels Tour, which visited Australia, Europe and North America from January 2010 through December 2011.
==Background==
Diamandis explained that the album is "a body of work largely inspired by the seduction of commercialism, modern social values, family and female sexuality".〔 She also describes it as "a really diverse album stylistically speaking because I'm such a flexible writer, so there's a lot of pop on it, but there's kind of a lot of leftfield experimental stuff as well. It's basically an album about what not to be."

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